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But my failings aside, The Nimrod Flipout is one of the more unusual things I've read in quite some time, and I mean that as a high compliment. Keret's lightening-quick stories (there's 30 of them in this 167 page collection) are fairly outlandish: one man loves his beautiful girlfriend all the more for the fat, brutish man she turns into at night; a boy is desperate to cure himself of a disease that causes his parents to shrink with every inch he grows; a talking fish provides perspective to the man who had hoped to make it his supper; a father-to-be is so anxious his child won't live up to his hopes that he dreams it into a pony. Keret's imaginative, to say the least.
One may expect such bizarre premises to turn comical, and they sometimes do, but I often found myself bracing for a joke that never materialized. And this was in no way a fault. What begins as silly often turns thoughtful, poignant, or downright sad, and considerably deeper than the offbeat premise had me prepared for. It's perhaps understandable that Keret, an Israeli, weaves terrorism throughout the collection, but it's handled subtly and his stories are neither religious nor political. Instead, and despite all their strangeness, Keret's stories are oddly universal and his characters easy to empathize with.
In sum, I enjoyed this offbeat little book more than a little bit. Should your tastes lean towards the whimsical, you may do well to check it out.
Etgar Keret
(Translated from the Hebrew by Miriam Shlesinger and Sondra Silverston)
167 pages, 2006 (Paperback)
Labels: authors K-O, books 2008, fiction, short stories
3 Comments:
He sounds almost Vonnegutesque. (I've always wanted to say that and have it be appropriate! Am I right?)
Unlike Vonnegut, Keret isn't really a satirist, but other than that, yeah - I suppose you could call his style "Vonnegutesque." Perhaps that's why I like it. I loves me some Vonnegut!
But speaking of Vonnegut, I've currently got a review of George Saunders' In Persuasion Nation baking in the oven, and it's a title for which your term is wholly appropriate.
I love the name of the book (and the cover) -- awesome! The stories sound very postmodern.
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